Dr. Dre Snapped Filming ‘Kush’ Music Video With spy Dogg

Just days after “Kush” was escaped, Dr. Dre was pictured on the downtown Los Angeles on Wednesday, November 17 to shoot its music video. Snoop Dogg who lends his vocal on the track was seen on the set as well. Both of them looked causal with Dre in his white long-sleeved T-shirt and denims, and Snoop in his basketball T-shirt, jacket and a yellow “Sakana-kun” hat. The other featured guest, Akon, was nowhere to be seen although.

Although eager to promote the song, Dre actually was anxious with nowadays’ music leaks. “It’s a little bit unlucky with the technology today. (Kush) got leaked and it was a version of it that I really wasn’t happy about, (but) we’re going to go ahead and push it and put it out because everybody appears to like it. I just thought the content, it’s about weed smoking, and I don’t want people to think that that’s what my album is about. This is actually the only song with that type of content,” he said.

Two other songs which have already been holded by music fans are Jay-Z-assisted track “Under Pressure” and Eminem-featured song “I Need a Doctor”. Still, Dre needs “about two or three more songs” to get to “the finish line” of his much-delayed album “Detox”.
“I’m seriously excited about it. It’s feeling good now. One of the reasons it was taking so long is because I felt like I was doing it more out of obligation as opposed to really feeling it. As of last year, I’ve been really feeling where it’s going and it feels good and I think I’m ready.”

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New Avalon record Reborn “Not your Mom’s Avalon&quot

While Avalon is certainly proud of their past (21 chart-topping singles, 6 Dove Awards, 3 Grammy nominations and an American Music Award), it sure would be easy for the quartet to rest on their laurels and continue to offer their known slick brand of vocal pop. But they are now Reborn, their aptly titled brand new project, slated for release on September 15th (E1 Music).

It is important to note that the similarity between any previous Avalon albums and Reborn ends now, thanks to this cutting edge and unequivocally original record. “Reborn is a fitting title because it signifies the birth of something new and exciting, which is certainly true of the current season of Avalon,” explains Janna Long, the group’s founding member. Comprising the rest of the quartet is Greg Long (Janna’s husband and group member since ’03), Jeremi Richardson, as well as its newest member, Amy Richardson, making her Avalon debut on Reborn, and who also happens to be Jeremi’s wife.

“I’ve literally listened to Avalon for as long as I can remember, so I can tell you both as a member and a fan that people’s jaws are going to hit the ground when they hear Reborn,” asserts Jeremi, who joined the group in 2007. “Everyone I’ve played it for so far says they’d never expect it, but at the same time, they can totally tell it’s Avalon, which to us is the ultimate compliment.”

One of the most instantly apparent changes comes in the credits, which for the very first time in the group’s illustrious history unites the group with producer Ian Eskelin (All Star United, Krystal Meyers, Stellar Kart, Francesca Battistelli). It’s a curious choice indeed considering his respected rankings in the modern rock spectrum, but one that helps cement Avalon’s latest endeavor as arguably their most ambitious to date.

“This has been one of the most unique and fun recording projects I have ever been involved in,” Ian Eskelin exclaims. “These guys are fearless and their vocals are killer. They are some of the hardest working, ready for anything, talented musicians I have worked with.”

A tour is slated for the Fall to promote the new project. This is sure to be an exciting time on the road for Avalon as the group is more than ready to share their new songs with fans across the country.

For the creation of Reborn, Avalon partnered with the label E1 Music. Along with the new venture came a completely open creative canvas where the group was encouraged to stretch itself further than ever before. Previously known as Koch Records, E1 Music has hosted the diverse likes of The Beatles’ Ringo Starr, Ashley Cleveland, Twila Paris, and Bishop E. Long.

“They took all the reigns off and basically said, ‘you’ve been doing this for awhile, so just do what you do,’” recalls Greg of the E1 experience. “No one was ever looking over our shoulders talking to us about core demographics, which gave us the chance to just focus on the artistic side. We love our history and are grateful for everything God’s given us, but that type of freedom also allowed us the opportunity to experiment and have a lot of fun in the process.”

Reborn offers aggressive melodies tied with atypical harmonies and guitar-driven moments. The new sound is sure to give dedicated Avalon fans a new twist on the group’s well-known formula, while expanding its appeal to a wider audience than ever before.

“Over the last three years, we released a hymns record, a covers record and a retrospective record, plus had some members change,” Janna reflects. “Between that and the fact that life was just happening right alongside it all, there’s a pivotal change and evolution. Sure, the vocal standpoint is consistent with the Avalon sound, but the rest is much more varied. This is definitely not your Mom’s Avalon record!”

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Hawk Nelson’s Live Life Loud CD cover revealed!

“Live Life Loud is really about encouraging our fans to do just that. To live your life loud, to embrace all that life brings your way and experience every moment of it to the fullest extent. This is the message we want our fans to come away with after they hear the album.” — Hawk Nelson bassist Daniel Biro.

Recorded in Nashville, TN, Hawk Nelson enlisted producer Steve Wilson to craft what was to become a 12-song set that sweeps from the manic to the mellow and all points in between. Live Life Loud was recorded in two separate sessions, due to a hectic touring schedule, and marks the first time the band wrote songs together by just jamming as a band. The album also features collaborations with Chris Stevens, Matthew Gerrard, TobyMac, Trevor McNevan and Bart Millard. This fourth studio album release from the band hits fans’ hands on September 22nd. The first two singles “Live Life Loud” and “Meaning of Life” are currently available on iTunes.

Also make sure you pick up your pair of TOMS Shoes to help the band get their goal for their Haiti shoe drop. For every pair of shoes purchased via Hawk Nelson’s website equals a pair of shoes that TOMS donates to a child in Haiti towards the band’s ongoing involvement with the Hands & Feet Orphanage. Check out the YouTube video.

1. Live Life Loud
2. Never Enough
3. Eggshells
4. Meaning Of Life
5. Alive
6. Ode To Lord Stanley
7. Long Ago
8. The Job
9. Shaken
10. Lest We Forget
11. Tis So Sweet
12. The Final Toast

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Rihanna to carry out with Sugarland at Academy of Country Music Awards

Rihanna is leaving a little bit country. The pop siren will join country pair Sugarland for a special performance at the 46th Annual Academy of Country Music Awards.

Ryan Seacrest reports that RiRi and Sugarland frontwoman Jennifer Nettles will duo on a country-tinged version of “California King Bed,” a ballad from the Barbados singer’s newest album Loud.

Fellow songbirds Beyoncé and Keri Hilson have both before performed with Sugarland at the American Music Awards and “VH1 Divas greeting the Troops.”

The ACM Awards will be broadcast live from the MGM Grand in Las Vegas on April 3 at 8 p.m. on CBS.

Other performers comprise Taylor Swift, Keith Urban, Toby Keith, Miranda Lambert, Brad Paisley, Martina McBride, Reba, Carrie Underwood, and more.

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Methodical uses of music weapon

One of the most surprising aspects of musical culture in the post-Cold War United States is the methodical use of music as a weapon of war. First impending to mainstream attention in 1989, when US troops blare loud music in an effort to induce Panamanian president Manuel Norriega’s surrender, the use of “acoustic bombardment” has turn into standard practice on the battlefields of Iraq, and purposely musical bombardment has joined sensory deficiency and sexual humiliation as among the non-lethal means by which prisoner from Abu Grab to Guantanamo may be coerced to yield their secrets without violate US law.

The dreadfully thought that music could be an instrument of torture confronts us with a novel—and disturbing—viewpoint on contemporary musicality in the United States. What is it that we in the United States might recognize about ourselves by contemplating this viewpoint? What does our government’s use of music in the “war on terror” tell us about us?

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